”Don’t call me the spark / I’m the fire and the flame, okay?”, she affirms on the opening track “Woman”. Planet though, the much more impressionable of the two singers, takes the wheel for most tracks though, from the sardonic and peacocky “Break It Bought It”, to the shrill “Angry Girl”, to the self-described “J-Lo slut-jam” “Toy Boy”. The end result follows through with this communal, roundhouse atmosphere and energy: it’s easy to imagine singers Janet Planet and Sugar Bones tripping over themselves to take the lead and pitch their ideas into the mic. On their new album, Tilt (sometimes stylized as TILT, and probably unlikely to be ever seriously confused with the industrial avant 1995 Scott Walker album of the same name), the band have made an album for good times born from their own good times.īy “drinking and singing around a crappy microphone with bluetooth speakers at 5 o’clock in the morning,” the band came across self-professed gold over and over, birthing the tracks that would make up Tilt. ![]() ![]() Returning after the increasing success of their 2018 album, Confident Music for Confident People, the Melbourne four-piece Confidence Man knew the only way forward was to double down and do what they do best: get your body moving.
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